Flute Talk
September 1996-July 1997
Columns:
Controlling Stress, Michel Debost (Sep./4)
Hit It, Don’t Attack It, Michel Debost (Oct./3)
In Pursuit of Style, Michel Debost (Nov./4)
Isometrics and the Flute, Michel Debost (Dec./4)
The Air Column, Michel Debost (Jan./4)
The Gentle Art of Teaching, Michel Debost (Mar./4)
Patient Practice Pays Off, Michel Debost (Apr./4)
Resting While Playing, Michel Debost (May/4)
Of Flute Playing and Cooking, Michel Debost (July, 6)
Interviews:
Mimi Stillman, Kathleen Goll-Wilson (Dec, /26)
Shigenori Kudo, Bonnie Kim (Nov./8)
Nestor Torres, Kathleen Goll-Wilson (Apr./8)
Bradley Garner, Kathleen Goll-Wilson (Oct., 8)
Bernard Goldberg, Nora Lee Garcia (Mar./8)
Pearce on Piccolo, Mikki Steyn (Dec./8)
Tomas Janosik, Denette McDermott (Feb./30)
Hal Ott, Kathleen Goll-Wilson (May/8)
Keren Schweitzer, Kathleen Goll-Wilson (July/8)
Performance Guides:
Eldin Burton’s Sonatina, Mary Karen Clardy (Dec./12)
Katherine Hoover’s Kokopeli, Lillian Santiago-Caballero (Jan./12)
Liebermann’s Flute Sonata, John Barcellona (Apr./12)
Mark Phillip’s Rain Dance, Trygve Peterson (Nov./11)
Rivier’s Oiseaux tendres, Julie Stone (Sep./11)
Muczynski’s Sonata, John Barcellona (Feb./12)
Prokofiev’s Sonata in D, Op. 94, Judith Bentley (May/13)
Messiaen’s Le Merle noir, Heather Hall Coleman (Mar./12)
Pedagogy:
Basic Jazz Improvisation, Robert Rawlins (Oct./13)
Basics for Beginning Flutists, Michel Debost and Kathleen Goll-Wilson (Jan./8)
Lessons From Opera, John Wion (Nov./15)
The Orchestral Experience, Donald Peck (Feb./11) (May/11)
Performance Tips from Wynton Marsalis, Stuart Ling (Oct./20)
The Wisdom of Samuel Baron, Reprinted from the November 1984 Issue of Flute Talk, Samuel Baron (July, 40).
Aspects of French Phrasing, Betty Bang Mather and Gail Gavin (Dec./20)
Composing a Cadenza in the Mozart Style, Julie Harr (Nov./21)
The Dynamics of Breathing, Kevin Kelly (Jan./14)
Making a Compact Disc, Ann Richards (Oct./22)
Winning a Competition, Kathleen Goll-Wilson (Feb./8)
Miscellaneous:
1997 Directory of Masterclasses, compiled by Mary Jean Simpson (Mar./20)
1997 Flute Competitions (Oct./25).
What’s New in the Music Industry (Feb./18)
The Art of Flutemaking, Robert Austin (Feb./26)
The Art of Gracefully Declining a Performance, Susan Swartz (Feb./16)
The Atlanta Flutists (May/24)
The Boston Flutemaking Tradition, Robert Austin (Sep./18)
Chicago Convention Preview, Patti Adams (July/24)
The Chicago Symphony Flutists (Oct./30)
The Cleveland Orchestra Flutes (Dec./23)
Comments from the Contest Judges, Kathleen Goll-Wilson (July/11)
The Conflicts and Contributions of Johann Tromlitz, Jordan Vogel (July/20)
The Conflicts Behind Prokofiev’s Compositions, Diane Boyd (May/14)
The Detroit Symphony Flutes (Jan./22)
The Los Angeles Flutists (Feb./22)
The New York Flute Section (Nov., 25)
The 19th-century American Flutist, Mary Jean Simpson (Apr./16)
The Philadelphia Flutists (Apr./20)
The Saint Louis Flutists (Sep./15)
The San Francisco Flutists (Mar./16)
Aspects of French Phrasing, Betty Bang Mather and Gail Gavin (Dec./20)
Composing a Cadenza in the MozartStyle, Julie Harr (Nov./21)
The Dynamics of Breathing, Kevin Kelly (Jan./14)
Making a Compact Disc, Ann Richards (Oct./22)
Winning a Competition, Kathleen Goll-Wilson (Feb./8)
Piccolo:
A Concert of Piccolo Music, Diane Boyd (Nov./32
Selected Piccolo Solos, Tammy Kirk (July/34
Broughton’s Piccolo Concerto, Regina Helcher (May/32
Piccolo Competition Winners, Lois Schaefer (Dec./32)
Piccolo Versatility, Nan Raphael (Oct./32
Stumbling Into Being Piccoloists, Diane Boyd (Sep./32)
Piccolo Misconceptions, Jan Gippo (Jan./31)
Liebermann’s Piccolo Concerto, An Analysis of the First Movement, Jan Gippo (Feb./32)
Performing Liebermann’s Piccolo Concerto, An Analysis of the Second Movement, Jan Gippo (Mar./32)
Liebermann’s Piccolo Concerto, An Analysis of the Third Movement, Jan Gippo (Apr.,32)
Music:
A Night in the Cabin, Eddy Palmer (Apr./24)